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This week, we wrap up our journey through the 70's films of Steven Spielberg by diving into 1941, a movie that sadly lives up to its reputation as a misguided, unfunny failure. Yet, through the rubble, there are still little glimpses of thoughts and themes that Spielberg would redefine himself through in later decades.
This week, our trip through the 70’s Spielberg canon continues with CLOSE ENCOUNTERS OF THE THIRD KIND. As captivating and filled with wonder as you remember, there’s also a bleak undertone to the film that may reveal more about its director and his then-place in the world than he even intended. Grab a plate of mashed potatoes and read along!
This week, the First Annual Spielberg Summer begins with almost certainly his biggest movie of the 70’s, JAWS! It’s a movie we all know well and have likely discussed in granular depth over and over (I’ve even written about it in this space before!). But it turns out, when you see JAWS in a packed movie theatre, like I did earlier this month, it feels like a brand new film all over again. The magic of the movies!
Spielberg Summer continues with THE SUGARLAND EXPRESS, another road movie from the up-and-coming director. However, with an increase in scope and a set of terrific performances, Steven Spielberg’s first venture onto the silver screen becomes a slept-on gem.
This week, we begin our dive into the 70’s filmography of Steven Spielberg by taking a look at one of the finest television movies of them all, DUEL. The thing everyone remembers is that truck, but what makes the flick sing is the relatable sad sack driving the other car. Welcome to SPIELBERG SUMMER!
It’s Oscars weekend! And this year, the pool of Best Picture nominees are an unusually interesting and diverse crop. There’s stories about gender relations, about human atrocities, about the little moments that can make life so damn melancholy, and about actors who really, really want an Oscar. But are any of them any good? Read along with my breakdown of the ten possible Best Picture nominees for 2023 to find out!
For this month’s feature, let’s work through the unopened Criterion box sets I have lying around by exploring the world of Jacques Tati! Topics include: the brilliance of PLAYTIME, his knack for social observation, and the possible reasons why some people just don’t seem to find him all that funny.
MY FAIR LADY seems to have unfairly shaped Audrey Hepburn’s reputation as a musical performer, while FUNNY FACE has been relegated mostly to GAP ad material. Let’s fix that.
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This month, let’s take a dive into one of the greatest movies ever made by one of the greatest directors to ever live. Federico Fellini’s NIGHTS OF CABIRIA tells a story of unrelenting bittersweet heartbreak, yet still manages to be one of the most uplifting tales in all of cinema. How did it do it? Lots of ways, but…it’s Giulietta Masina. It’s always Giulietta Masina.